"...you see people as themselves. The fact that these women have come such a long way in realising their dream is moving people and encouraging them to watch it"
- Philip Cheah, Festival Director (Singapore Int'l Film Festival) on the popularity of the documentary

About the Documentary

One of the few documentaries ever made about lesbians in Singapore, this documentary, filmed in 2006 uses interview footage with three Singaporean lesbians -Amanda Lee, Sabrina Renee Chong and Gea Swee Jean, to get a rare glimpse into lesbian lives in Singapore.

Intimate and often candid, these lesbians share about their lives and loves and their views on topics such as coming out and relationships. Sometimes heartbreaking, and often times, funny, the documentary captures the lives of lesbians who have chosen to live authentically and is a testament to the courage, tenacity and experiences of lesbians living in Singapore.

For more information, to join the mailing list or to RSVP for screenings, please email womenwholovewomensingapore@yahoo.com

Watch the Documentary Here!

Sunday, April 6, 2008

ST Article - Love Ladies (April 6, 2008)

April 6, 2008
Love ladies

A documentary about three lesbians has become a quiet hit at the Singapore International Film Festival

By Deepika Shetty

When Su-Lin Ngiam posted an online call in 2006 asking lesbians to share their experiences for a documentary she wanted to make, no one came forward.

'It shows there is a lot of fear when it comes to talking about same sex relationships in public,' says the theological studies student.

Given the lack of response from the community, Ngiam, 34, turned to her friends and three agreed to talk on camera.

Ms Sabrina Renee Chong, 40, a freelance events consultant and photographer, Ms Amanda Lee, 24, a student, and Ms Gea Swee Jean, 24, a business & IT marketing professional are featured in the 65-minute documentary, Women Who Love Women: Conversations In Singapore.

The documentary, which has an R21 rating, has proven to be a small hit at the Singapore International Film Festival. Four screenings have already sold out and tickets to the fifth screening today are selling fast.

The documentary is being screened at Sinema, Old School, in Mount Sophia, which has a seating capacity of 130.

Mr Philip Cheah, 50, the festival director, says the documentary has made an impact because 'you see people as themselves. The fact that these women have come such a long way in realising their dreams is moving people and encouraging them to watch it.'

Director Lim Mayling, 28, an events coordinator who studied film-making, says she is surprised at the warm response. The documentary was screened privately last year at the Pelangi Pride
Centre in Tanjong Pagar.

She says she shot the three women talking about their lives and the 'talking heads' technique goes against what she was taught in her media studies course at the University of Buffalo in the United States.

'But in this case, it works, it is the story of their lives and my idea was to get it across as honestly as I could.'

Ms Chong says she agreed to appear in the documentary because she wants to share her experience with other people who are in the same situation.

'When I was growing up, the Internet was non-existent, there were Hardly any support groups, you couldn't come clean.'

She says that she never came out to her family 'officially' . Her parents Split up when she was two years old and she was brought up by her grandmother and other relatives. Her father later died and her mother is in Canada.

'My grandmother knew about my sexual orientation but we never talked about it. But she and my relatives accepted it.'

Her girlfriend, a 30-year-old producer, joins her family at family events.

Ms Lee, an undergraduate at the Australian National University, Canberra, had a harder time with her family when she told her mother that she is gay.

There were 'a lot of tears, angry words' and her mother, an office administrator, refused to accept her sexual orientation.

'Our relationship deteriorated because I could not share an important part of my life with her.'

But her mother has since come around and comforted her when one of her relationships failed, she says.

The third woman in the documentary, Ms Gea, declined to be interviewed.

Ms Chong thinks that the climate has become more tolerant of gay people in recent years. Government leaders have spoken of treating homosexuals like everybody else and employing them in the civil service. She says: 'People don't fall backwards when they see gay women holding hands.'

But the biggest comfort for her has been the acceptance of her family.

'When my grandmother passed away when I was in my late 20s, my girlfriend and I were by her side. I think what was important for me was the fact that my grandmother loved me unconditionally through all of it.' Sabrina Renee Chong

deepikas@sph.com.sg

Women Who Love Women: Conversations In Singapore is showing at
the Singapore International Film Festival. For details, visit www.filmfest.org.sg

http://www.straitstimes.com/ print/Lifestyle/Hot/Story/ STIStory_ 224109.html

Wednesday, April 2, 2008

5th Screening Confirmed

Yup! The 4th screening has sold out. Check the sidebar for details on the 5th screening and also look out for an article with us in this week's Life!

See ya! :)

Tuesday, March 25, 2008

4th Screening Confirmed

Good news! The additional screening of the documentary has been sold out but a 4th screening has been added on Sunday, 6 April 2008, 7pm at Sinema.

Get your tickets from SISTIC or visit www.filmfest.org.sg

Cheers! :)
Su-Lin

Sunday, March 23, 2008

Possible 4th Screening of Documentary for SIFF

The three screenings for the documentary have been sold out. A fourth screening will most probably be added soon. Please check back for more details or visit www.filmfest.org.sg

Tuesday, March 18, 2008

ST Life! Censors pass controversial film

March 18, 2008
Censors pass controversial film

A DOCUMENTARY about lesbians has been cleared by the Board of
Film Censors to screen in next month's 21st Singapore International
Film Festival
.

Directed by Lim Mayling, Women Who Love Women: Conversations
In Singapore has been given an R21 rating with no cuts.

It will be screened twice at Sinema@Old School on April 5, at 7pm
and 9.15pm.The 65-minute documentary revolves around three
Singaporean women - Amanda Lee, 24, an undergraduate at the
Australian National University in Canberra, Australia; Sabrina Renee
Chong, 40, a photographer; and Gea Swee Jean, 24, who works in
business and IT marketing - talking candidly about their lives and loves.

The film was submitted to the censors on Jan 10 and was given the seal
of approval last Wednesday. Producer Ngiam Su-Lin tells Life!: 'It is
heartening and encouraging that alternative voices in Singapore are
beginning to get heard, and we hope that audiences for the documentary
will be diverse and not just primarily the lesbian and gay communities.

'We would be very happy if the documentary manages to create dialogue
about the issues raised as well as a deeper understanding of some
experiences of growing up lesbian in Singapore.'

The Singapore International Film Festival runs from April 4 to 14.

For ticketing details and programme schedule, visit www.filmfest.org.sg

Thursday, March 13, 2008

Screening at the S'pore Int'l Film Festival

Women who Love Women will be screened at this year's Singapore International Film Festival 2008. It is programmed as part of the Singapore Panaroma section of the festival, and finally got passed by the censors with a RA(21) rating.

We are very pleased and excited, and hopefully a wider audience will get to watch the documentary.

Screening details: Saturday, 5 April; 7 & 9.15 pm (2 screenings); Sinema (Mt. Sophia; limited seating capacity); tickets at $8.40 each plus $1 booking fee (special discount for Citibank card holders) available from SISTIC.

For more information, please visit: www.filmfest.org.sg

Read on for an article on SIFF which includes Women who Love Women, which appeared in The Straits Times Life! recently.
------------------------------------------------------
Feb 22, 2008 - The Straits Times Life!
14 home-grown works in S'pore film fest
Two films with gay content, Women Who Love Women
and Lucky7, could prove controversial
By Douglas Tseng

THIS year's Singapore International Festival showcases 14
movies made by home-grown talents including two works
with gay content which could prove to be controversial.

Women Who Love Women: Conversations In Singapore
is touted as one of the few documentaries ever made about
lesbians here. In it, three Singapore lesbians talk candidly
about their lives and loves.

Lucky7 is an experimental film with seven directors at the
helm. One director does a 10- to 12-minute segment of the
film and this is continued by the next director who knows only
what has happened in the last minute of the previous segment.

The movie's central character is played by by Sunny Pang. It
has homosexual content and has been rated R21 for 'sexual c
ontent and disturbing images'.

Festival director Philip Cheah said Women Who Love
Women was submitted to the censors on Jan 10 and is pending
a rating.

He said: 'All the films are like our children, we want to see
them all through the process.''

The festival has a policy of showing films uncut. Last year,
Kan Lume's experimental film about a gay couple, Solos, was
withdrawn from the festival after the censors ordered three cuts.

Other films that were withdrawn after the censors wanted
cuts included Sam Loh's serial killer thriller Outsiders (2005)
and Zai Kuning's short film Even Dogs Have Choices (2005), a short
film featuring local singer X' Ho.

Women Who Love Women, directed by Lim Mayling, 28, an
events manager, was screened at the Hong Kong Lesbian &
Gay Film Festival last November. It has also been screened privately
in Singapore.

The three lesbians are Amanda Lee, 24, an undergraduate at
the Australian National University in Canberra, Australia;
Sabrina Renee Chong, 40, a photographer; and Gea Swee Jean, 24,
who works in business and IT marketing.

When asked how the audience would react to the documentary,
Lim said: 'We will leave it to the audience to have their own
thoughts. It is still a little surreal to have been selected for the festival.
It remains to be seen if the film will be screened or how it will be rated.''

Other Singapore works to look out for include Royston Tan's After
The Rain, a short film about a young lad's move from the countryside
to the city, and Tan Siok Siok's Boomtown Beijing, a documentary on
the impact of the upcoming Olympics Games on a group of Beijing
residents.

Royston is one of Singapore's most well-known directors, whose last
film, 881, about getai singers, made about $3.5 million at the box
office. Siok Siok is a long-time television producer who has worked
with Discovery Channel and MediaCorp TV. Boomtown Beijing is her
debut film, which she made while lecturing at Beijing Film Academy.

Festival manager Yuni Hadi said of the Singapore film segment:
'Whatever pre-conception we have of what a 'Singapore film' is, should
be left at the door and be challenged, twisted, questioned and discussed.'

The festival's opening film on April 4 is Wayne Wang's The Princess Of
Nebraska, a story about a pregnant Chinese girl's life in the United
States. Wang, who made his name with The Joy Luck Club (1993) and
Eat A Bowl Of Tea (1989), will be here for the festival.

Other films to watch out for include Wang Quanan's Tuya's Marriage,
which won the prestigious Golden Bear at the Berlin Film Festival last
year. It tells the heartbreaking story of a Mongolian woman who tries
to find a suitor to take care of her and her disabled husband.

Friday, January 18, 2008

Review by Sze Wei

It is 2007, and lesbian sexual relations have received de facto legitimacy with the repeal of section 377 of the penal code. The gay community in Singapore has more community resources than ever before. More and more men and women are making their stories public.


It is 2007. Three more talking heads come out on film. Will we remember them?


Amanda, one of the women interviewed in the film, wraps her tongue around Women who love women (WWLW) and explains it as a gentler acronym for “lesbian”, because “nobody can fault love”. At the time of this review, WWLW has been shown at festivals in Hong Kong and KL, but only in private screenings in Singapore. Producer Ngiam Su Lin explains that she and Director Lim May Ling are still trying to find a Singapore venue that will host a public screening.


With each screening, the room gets more and more crowded. When I first saw WWLW in July 2007 in tiny Bianco, I sat with somebody else’s knee jammed in my back, the seating was so tight. At the film’s sixth screening at Mox this December, men and women who had no seats lined the room and stood throughout its 60 Mins. They’d heard about this film, and they wanted to see for themselves. So 80-odd packed into the room to get intimate with the bubbly Amanda (24), androgynous Sabrina (40) and puckish Swee Jean (24).


Many lesbians I have spoken to identify deeply with the women in the film. Many other lesbians do not. But the faces and words of WWLW remain with you after the film is over, because of the honesty with which they are given. Lounging in luminous sitting rooms or drawing you into the privacy of their homes and childhood photographs, the three tell you what being lesbian is to them. It is first loves, coming out trauma, "it's always full and fulfilling .. it's like second skin" (Sabrina). It is toilet evictions, and label-mad Singapore where “people who don't belong in a category belong in a category” (Swee Jean). Simply and directly, they explain how they have made sense of the prejudice and tolerance in their lives, and what has coloured their choices in relationships, religion, work and fashion.


When you come out of the closet, your family and friends walk into a bigger closet with you. A rare and refreshing feature of this documentary is the other side of the coming out story, from straight friends of Amanda and Swee Jean. It is a touching moment when Amanda and her best friend declare that their friendship doesn't change even though they don't agree on how God sees gay people. Swee Jean's chums tell how they rallied around her in her coming out school days.


But this labour of love is at times laborious – my sympathies to the folks in standing room. In a bid to preserve the authenticity of the dialogue, the raw-edged editing ambles on past the average attention span, interspersed with unnecessary, stuffy quotes from Andre Gide and Sappho. Shot in the months before the repeal of Section 377 of the Penal Code (which could be interpreted as criminalising sex between women), the film jolts from personal anecdotes into a draggy spiel on statutory discrimination.


Nonetheless, WWLW will be an important document of Singapore lesbians today and the society in which we live. It is also a clarion for change. Towards the close of the film, Swee Jean gives the film's rationale: “It's so difficult for [lesbians] to see positive representations of ourselves anywhere...the problem is that so many of us are in the closet. Till we come out and have the guts to say 'we are here', all these [women] will be seen as being straight. Otherwise, why should anything change?”